More Fun With Corduroy

Well, you can't use all your scrap corduroy replicating famous works of art, of course. Here's a quick face I made with other pieces from my Big Birthday Box o'Corduroy.

Like a lot of my quilts it's an "original design" that I doodled out on scratch paper -- but, since it's so simple, I'm sure that tens of thousands of other people have had the same idea before me. Probably it's a traditional quilt pattern with a long-established name. Possibly you are itching to tell me what its name is in the comments, even now.

Kind of a handsome one, I think. It's officially designated StormQuilt #11.


Speaking of How Hard It Is to Do Something Original...

I've been walking around all week feeling I was possibly the cleverest person ever born to have thought of replicating an abstract painting with scrap fabric. Well, of course I'm not the first person to think of that. It turns out, in fact, that frequent commentor Jovaliquilts' daughter did the same thing for her first ever quilt. Also, Jovali Jr. did a better job than me of matching the colors of her original (although, to be fair to myself, I guess I wasn't really worried about color matching).

Here is Jovali Jr.'s quilt....

and Here is the painting she replicated, Ellsworth Kelly's Colors for a Large Wall.

Neoplasticism 2.0

Synchronicity, part 1

So last summer Mrs.5000 found this big box of scrap corduroy for a buck at a garage sale and hefted it home a good mile or something so she could give it to me for my birthday. Mrs.5000 understands me.

Meanwhile, in 1921, Piet Mondrian painted one of his famous grids of rectangles and primary colors. (Neoplasticism, I think the genre is called. The de Stijl movement! i iz likes art history.) This particular one is usually called Composition in Red, Yellow, Blue, and Black.

Thesis, Antithesis, Synthesis

And so eventually the idea of "What shall I do with the corduroy?" rattling around in my head ran up hard against the idea of "you know, of all the painting genres, the de Stijl stuff is the one that would be most susceptable to a treatment in quilt form. From that collision was born a Bee in my Bonnet*, which involved compulsive internet searches for the simpler of Mondrian's work and appraising sorting of my corduroy trove.

Once I found Composition, I transferred its grid onto graph paper, made some very rough color equivalences, and started cutting. And when I say "rough" color equivalences, I mean a not-as-light-as-it-could be grey for white, burgandy for red, golden tan for yellow, and a dark, greenish blue for blue.


Nevertheless, I am very happy with my little "Mondrian Quilt" face. Indeed, I bet its one of the best adaptations of Mondrian in scrap corduroy to have been achieved on the West Coast this year!

Next question: how am I going to quilt this sucker? I guess I'll have to try to be guided by the obvious question: How would Mondrian quilt it?

Also:

The is the 100th State of the Craft post. Huzzah!

Arguably, It's Time to Get Organized

I've been a very different kind of quilter this year than I was in 2007-2008. Last year, I was all about putting quilts in shows and being part of the community, and I had this detailed work plan that I actually followed. This year, I haven't even been attending Guild meetings, let alone putting pieces in shows. I haven't been nearly as interested as creating my best work, but rather on just playing around with recycled materials. And although I've still been quilting, it has been sporadic and on random projects, sometimes new ideas that I just plunged halfway into as soon as I had them. All this has been to such an extent, in fact, that I had lost track of how many projects were even in the hopper.

I spent a half hour this afternoon doing a little project census, and the results are sobering. In addition to about 20 "regular" projects in progress, I've got a whopping seven (7) StormQuilts in some stage of assembly. Which is kind of crazy. But now at least I have a list of what I'm working on, and can maybe concentrate my efforts a little bit.

This beast over on the right is the face for SQ10, which I made about a month ago. It was jointly inspired by Quilty's success with using t-shirt fabric and a purge of my overflowing drawer of well-past-prime shirts. I had no interest in preserving the designs on the shirts as such, so just cut all of the useable fabric into 8 1/2" squares. I do like the way that the ghosts of the lettering and logos from the shirts creates a little extra visual interest, though.

As you'd expect from t-shirt fabric, there is some serious limpness going on here. I will need to back it with something relatively stiff, I think, to keep the end product from being a completely shapeless mass.

I Still Quilt, Encore

So, the quilting action here at studio5000 continues to be mostly focused on the scrap/recycled "StormQuilts," which is good because my mother unloaded another zillion yards of scrap fabric from her collection earlier tonight. I'm going to have to keep making StormQuilts just to keep liveable space in the house, tucked in among the fabric storage.

Some of you were interested to see what would happen with the complementary squares I cut for SQ6&7. Well, here's SQ7 (I think), which has three borders and is rectangular. It's a little hard to see the edges, but the lighter blue is actually the batting, in this case a beat-up old child's blanket.



And here's SQ6, which I think is fairly handsome for a piece made from salvage materials. It reminds me of VERY old-school quilts -- not 100, but 200 years ago. It is pinned out and ready for quilting, but I have no idea how I'll tackle that.

I HAVE been quilting on SQ5, though. It is all green, and I thought I'd get brave and experiment with free-motion. I feel pretty positive about the results, at least on top; there are some really ugly tangles underneath that I choose not to show you at this juncture.

But how 'bout them leaves? I'll go back at the end and double or triple the main "vine," so it doesn't look so scrawny compared to the leaves.



Meanwhile, inspired by this post from the Libster, I turned a purge of my closet into raw material for QS10 (or thereabouts). Quilty says that working with knits wasn't so hard after all, so nine ratty old t-shirts went under the knife. I'll let you see how that all works out.

I Still Quilt

So, yeah, I'm still quilting. In general, I've been paying less attention to fancy designed quilts this year, and more on the recycled scrappy quilts. Not that I've entirely abandoned the designed quilts -- there are three of them that I putter with from time to time -- but when I've sat down to quilt I've just generally felt like doing something quick and easy. And there's nothing quicker and easier than pieceing together one of the StormQuilts.

State of the StormQuilts

People often tell me that the StormQuilts -- those are my scrap, salvage, and recycled lap blankets, remember -- are terrific. Then they pause and ask, "but what are you going to DO with them?" An excellent question, and one I didn't really have a great answer for. This little crisis was resolved by Christmas, when I gave the four completed SQs away to siblings and in-laws. To dignify them just a bit, and to explain them, I made this label for them first:


And, it seemed to work, in the sense that no one angrily threw the offered quilt down and shouted that they were insulted. Plus, it made for a very economical Christmas!

Meanwhile, the production of new StormQuilts grinds unstopably forward. Heres' one, SQ9 if memory serves, pinned out.


And here's the simplest yet, yet also possibly my favorite. It's SQ8, I think.

And then here's the slightly more complicated centers for SQ6&7....

...or SQ7&6....

Yesterday, I pieced these centers together and put a couple of borders around SQ6. It's quite handsome, and I'm sure I'll be showing it to you soon.

Of course, this reintroduces the question of "What am I going to DO with these?" Well, we'll find out eventually I guess.

It's Christmas! (2004)

When I was at my sister's house for Thanksgiving, I finally managed to get a photograph of a blanket I made for her -- four Christmases ago, already.




Here it is:

Oops, wait. Wrong side. That's me (left) and Niece #3 (right) holding that sucker up, so that Mrs.5000 could take THIS picture:

So. Obviously, it's kind of an old-fashioned and very simple pattern, both chosen to match my sister's aesthetic. This was before I started making scrap & recycle quilts, but a lot of the fabrics here, especially in the nine-patches, is from very old scraps that I had come across. The quilting, which you can't really see here, isn't bad -- this is probably the first quilt where I really tried to make the quilting a decorative element.

I used some of the extra pieces from this project to make a smaller lap blanket as a present for my inlaws:

So, that's that.

Merry Christmas 2004!

And 2008!

Finished: "Batik Boxes"

There has been relatively little actual quilting going on lately, but the annual Thanksgiving family-chatter-and-handwork downtime let me finish off one that was threatening to become a perenial UFO. It's called Batik Boxes, and it's one that I also bought the material for and designed (in that order) on a Thanksgiving. Thanksgiving 2004, it says here in my notes. It was maybe 20% quilted at the beginning of this quilting season, so in the scheme of things it came together fairly quickly.

I've long thought of this one as a bit of an ugly duckling, so I was surprised to get quite a few family complements on it. But then, they're family! What are they going to say?

I had intended to do a dense stippled quilting of the orangish fabric, but recently abandoned that idea as more work than the quilt was worth. However, I will say that the workmanship is not at all bad, by my standards. It's likely the last piece I'll quilt "in the ditch" for a while -- I've found I much prefer quilting "near the ditch" -- but I was pleased by how consistently I was able to keep most of the stitches actually in the ditch, without slowing to a crawl.

[The back, with a book on it so that the camera could figure out how to focus.]

The pieceing, which happened a few years ago, was certainly easy. It was just a matter of cutting the two fabrics into two-inch wide strips, sewing the strips together in pairs, cutting lengths in increments of 3 inches + seam allowances, and sewing them back together like so to make the blocks:



The only tricky part was making sure to make the same number of blue-centered and orange-centered blocks.

(illustration made with my favorite quilt design software, Microsoft Excel)