The Challenge Quilt. About Time.

From the original "Friendster" version of SOTC.

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The Challenge Quilt. About Time.
DATE: 04/11/2006 10:49:01 PM
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All right. At long last, I can show you the challenge quilt. Here it is:

And here's the "artist's statement":

Each square of the Quilt Map of Oregon represents an area of 12 miles by 12 miles. The colors are meant to generally represent types of vegetation, and for their exact distribution I drew heavily on land use maps in the Atlas of Oregon . Quilting represents county boundaries. Most major cities, mountains, and lakes are shown, and are accurately placed within a few miles. Those familiar with the state should be able to pick out the Ochoco, Strawberry, Blue, and Wallowa Mountains, as well as familiar features like the Willamette Valley, Mt. Hood, Crater Lake (and Wizard Island!), and the lower Columbia River.

So, there you have it. The reason it took so long is that I had to find a piece of fabric for each of the 600 squares that represented the terrain, and possibly the cities or mountains, in that section of the state. I actually laid the whole thing out on a poster-sized map of the state -- if you know what to look for, you can see that in the very first picture in this blog.

Last night was the big meeting where the guild voted for the best 8 challenge quilts that will be representin' PDX at the national competition in Nashville. It turned out there were about 20 entries. Mine was probably 19th best, which means I achieved both my goals: I wasn't (too) embarassed to have my piece hanging, and I didn't come in last. After the 8 winners were picked, the rest of us were called up to stand by our pieces, and everybody got a polite round of applause. That was nice. The only moment that could have been a drag was when someone who didn't know I was in the competition pointed mine out to me as one of the ones that "doesn't work." But it didn't bug me. I know it doesn't work.

There are two design problems with Quilt Map. One comes from the dark value of the ocean. I was forced to do a dark ocean by the dark blue of the challenge fabric, but that makes the left edge of the piece much more aggressive than the mild greys that represent Washington, Idaho, Nevada, and Cali. I could have countered this if I'd gone with my initial impulse, and shown the other states in saturated colors like purple, rust, etc. But then, there wouldn't have been enough contrast around the state borders, and it would have been hard to recognize the whole as a map of Oregon. That would have been bad, for a map of Oregon.

The other problem is with the quilting. In the quilt world, dense quilting is valued. And for good reason -- it makes a piece look crisp and gives it texture. Sometimes, the texture of dense quilting is enough, even on an otherwise blank piece of white fabric, to make a stunning quilt in and of itself. Loosely quilted pieces, by contrast, look kind of dull and flabby, and tend to sag.

In Quilt Map, I used quilting to show county lines. That's cool cartographically, but on the west side of the state results in a pretty thin quilting pattern. On the east side of the state, it's a disaster. Malheur County is a big sucker, leaving a gap of five or six inches between quilting lines. Not cool. I entertained the idea of also quilting in rivers and highways, maybe in different colors of thread, but the same problem would come up in the eastern half of the state, where rivers and roads are fairly infrequent. Plus, it would have raised all sorts of tricky decisions about WHICH rivers and roads to include. And I was getting exhausted.

So, it ain't going to Nashville, but it will be at the Quilt show on April 28, 29, 30. (see the post titled "Log Cabin," below). See ya there.

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COMMENT:
AUTHOR: Eric
DATE: 04/13/2006 10:35:08 AM
I think it's a really great quilt to be honest with you. Aren't you awarded extra points just for the concept?
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COMMENT:
AUTHOR: Michael
DATE: 04/13/2006 06:24:08 PM
To be fair to myself, the judging was done without people seeing the artist's statement. So, they wouldn't have necessarily had a sense right away of how accurate it is, or why it was so thinly quilted. But on the other hand, the eight pieces that are going to the national show were all really spectacular. The people in the guild are wicked good.
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COMMENT:
AUTHOR: Charlie
DATE: 04/15/2006 04:47:37 PM
I agree with Eric that you are being too hard on yourself. I think it's really cool. But I did find it interesting that you felt yours to be the 19th best. Was there one that you knew no matter what everyone's was better than, or was it a modest mathematical way of expressing it's not in the top 8 but was not the worst?
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COMMENT:
AUTHOR: Michael
DATE: 04/17/2006 03:54:42 PM
Let's make an analogy recording music. We'll stipulate that a few of my songs are really good, as songs -- good lyrics matched to a good melody, harmony, beat, and arrangement. Would you expect to ever hear them on the radio? Of course not. The reason is, I am shaky on the basic skills (singin', playin' guitar) and also on the more subtle skills (miking instruments, equalizing sound, mixing, and all of the stuff I don't even know about that makes a recording sound radio-ready). Other songs, perhaps even a few that arguably aren't as good in their ideal form (if I may get Platonic on your ass (so to speak)) are going to get airplay. Mine aren't.

Thus it is also with quilting, my friends. The overall idea may be good, arguably more interesting than what some of the others came up with, but the details of the execution mean something too. In fact, they mean a lot. I am not embarassing myself by putting quilts like this in the show, but you could make a reasonable case that I'm really a year or two away from "show-ready."

Yes, there was a clear loser, although it was a perfectly respectable entry. (There were also a few that were eliminated for not meeting size requirements, so I guess I "beat" them too). I felt like I was a pretty clear runner-up loser, but a generous observer could have put me in a lower tier with 3 or 4 others.

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